Stephen King's The Institute is already drawing comparisons to a couple of his older works, Firestarter and It, as well as to the Netflix sensation "Stranger Things." And with good reason—The Institute includes a ragtag collection of adolescents banding together against a common enemy, a shady organization exploiting children for their unique "gifts." But whether King is chasing "Stranger Things" or "Stranger Things" is chasing King, the result is the same: shocking suspense and hallmark thrills.

In an unexpected move, King opens The Institute with a Jack Reacher-like drifter named Tim Jamieson, who takes a job as a "night knocker" with the sheriff's department in rural Dupray, South Carolina. It's more than 50 pages later before we meet the novel's true protagonist, young prodigy Luke Ellis, whose parents are trying to get him into a prestigious school where his unique intellect will be challenged.

But Luke's world is shattered when he is kidnapped from his Minneapolis home in the middle of the night by a team of highly skilled special operatives. He awakens in a room made to look like his own, though the illusion stops at the door. Once outside his room, Luke finds himself in a strange facility somewhere in Maine. He soon learns he's not alone, as other kids, ranging in age from 10 to 16, are also being held prisoner. King conveys Luke's confusion, shock, hopelessness and grief in convincing and heart-wrenching fashion.

The concept of family separation takes on an eerie weight here, with unsettling parallels between the events of the novel and the real-
life images we see on the news of kids huddled under silver mylar blankets in cramped cages at the U.S.–Mexico border. In a thinly veiled comparison to callous border patrol agents, Luke's adult captors lack compassion and are  often downright cruel. 

But King ramps up the cruelty even further, subjecting Luke to physical and mental abuse that, at times, readers may find hard to sit through. Luke and the other kids get slapped around, are forced to receive mysterious injections that cause convulsions and are nearly drowned in a sensory deprivation tank, all to awaken the kids' latent telepathic or telekinetic powers. The kids are promised that, if they do as they are told, they'll have their memories wiped and be returned home to their parents as if nothing ever happened. Good behavior is rewarded with tokens to purchase snacks or even alcohol and cigarettes. Kids can even buy time on a computer, though internet access is restricted.

After gaining the trust and help of one of the Institute's support staff, Luke makes a break for freedom. His escape brings him to South Carolina, where Tim Jamieson finally reenters the story just in time to aid Luke in a final confrontation with the Institute's baddies.

King makes no effort to hide his distaste for Trump, as he takes a direct jab at him in the book's waning pages. Political leanings aside, The Institute offers a thrilling reading experience and rousing tribute to the resilience of children and the unending fight against evil.

Silently whisked away after his parents are murdered, Luke Ellis wakes up in a creepy place called the Institute, surrounded by kids like him with special gifts of telekinesis and telepathy that the sadistic staff want to exploit for the Institute's own purposes. Cooperate, and you get treats; resist, and you are exiled to the "Back Half" and never emerge. Luke just wants to get out, but how? With a 1.25 million-copy first printing, and, yes, you read that correctly.

King wows with the most gut-wrenching tale of kids triumphing over evil since It. In a quiet Minnesota neighborhood, intruders kidnap 12-year-old prodigy Luke Ellis and murder his parents. When Luke wakes up, he finds himself in a room identical to his own bedroom, except that he is now a resident of the Institute—a facility that tests telekinetic and telepathic abilities of children. Luke finds comfort in the company of the children in the Front Half: Kalisha, Nick, George, and Avery. Others have graduated to the Back Half, where "kids check in, but they don't check out." The Front Half are promised that they'll be returned to their parents after testing and a visit to Back Half, but Luke becomes suspicious and desperate to get out and get help for the others. However, no child has ever escaped the Institute. Tapping into the minds of the young characters, King creates a sense of menace and intimacy that will have readers spellbound. The mystery of the Institute's purpose is drawn out naturally until it becomes far scarier than the physical abuse visited upon the children. Not a word is wasted in this meticulously crafted novel, which once again proves why King is the king of horror. Agent: Chuck Verrill, Darhansoff & Verrill. (Sept.)