Noopiming : the cure for white ladies / Leanne Betasamosake Simpson.
"Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves. Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed." -- back cover
Record details
- ISBN: 9781487007645 (paperback)
- Physical Description: 354 pages ; 22 cm
- Publisher: [Toronto, Ontario] : Anasi, 2020
- Copyright: ©2020
Search for related items by subject
Subject: | Indigenous peoples > North America > Fiction. Patience > Fiction. Listening > Fiction. |
Genre: | Magic realist fiction. |
Topic Heading: | Aboriginal. |
Available copies
- 18 of 20 copies available at BC Interlibrary Connect. (Show)
- 1 of 1 copy available at Terrace Public Library.
Holds
- 0 current holds with 20 total copies.
Other Formats and Editions
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Terrace Public Library | SIM (Text) | 35151001109271 | Adult Fiction | Volume hold | Available | - |
LDR | 00922nam a2200277 i 4500 | ||
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001 | 127036944 | ||
003 | SITKA | ||
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006 | a e 000 f | ||
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082 | 0 | 4. | ‡a[Fic] ‡223 |
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100 | 1 | . | ‡aSimpson, Leanne Betasamosake, ‡d1971- ‡eauthor. ‡0(LC)2010095198 |
245 | 1 | 0. | ‡aNoopiming : ‡bthe cure for white ladies / ‡cLeanne Betasamosake Simpson. |
264 | 1. | ‡a[Toronto, Ontario] : ‡bAnasi, ‡c2020 | |
264 | 4. | ‡c©2020 | |
300 | . | ‡a354 pages ; ‡c22 cm | |
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520 | . | ‡a"Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves. Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed." -- back cover | |
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