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A separation

Kitamura, Katie M. (Author).

Summary: A mesmerizing, psychologically taut novel about a marriage's end and the secrets we all carry. A young woman has agreed with her faithless husband: it's time for them to separate. For the moment it's a private matter, a secret between the two of them. As she begins her new life, she gets word that Christopher has gone missing in a remote region in the rugged south of Greece; she reluctantly agrees to go and search for him, still keeping their split to herself. In her heart, she's not even sure if she wants to find him. Adrift in the wild landscape, she traces the disintegration of their relationship, and discovers she understands less than she thought about the man she used to love. A story of intimacy and infidelity, A Separation is about the gulf that divides us from the lives of others and the narratives we create for ourselves. As the narrator reflects upon her love for a man who may never have been what he appeared, Kitamura propels us into the experience of a woman on the brink of catastrophe. A Separation is a riveting stylistic masterpiece of absence and presence that will leave the reader astonished, and transfixed.

Record details

  • ISBN: 0399576126
  • ISBN: 9780399576126
  • ISBN: 9780399576102
  • ISBN: 039957610X
  • Physical Description: electronic resource
    remote
    1 online resource
  • Publisher: New York : Riverhead Books/Penguin Publishing Group, 2017.

Content descriptions

Source of Description Note:
Print version record.
Subject: Married women -- Fiction
Marital conflict -- Fiction
Adultery -- Fiction
FICTION -- Literary
FICTION / Psychological
Adultery
Marital conflict
Married women
Genre: Electronic books.
Psychological fiction.
Fiction.
Psychological fiction.

Electronic resources


  • Booklist Reviews : Booklist Reviews 2016 December #1
    An unnamed narrator, a translator living in England, is relatively unbothered by her estrangement from her husband, Christopher, until she receives a worried call from his mother, Isabella. Unaware of the separation (Christopher wanted it to remain a secret), Isabella insists that her daughter-in-law go to him in Greece. The narrator didn't know he was there, though this isn't out of the ordinary for privileged, charming Christopher, a writer—and philanderer—but she agrees to go, and secretly, finally requests their inevitable divorce. However, when she reaches remote Gerolimenas, he's not there. She's calm, sure he's off doing research for his book on mourning rituals, seeking the women hired to wail at strangers' funerals that the region is known for. A midway reveal changes everything, though, and, with very little evidence and few clues, the narrator must interpret her husband's situation, sieving for readers the many layers of the story and its telling. At once cool and burning, Kitamura's (The Longshot, 2009) immersive, probing psychological tale benefits from its narrator's precise observations and nimble use of language. Copyright 2016 Booklist Reviews.
  • BookPage Reviews : BookPage Reviews 2017 February
    Questions of fidelity

    There's more than one way to feel like a stranger in a foreign land. The pleasant way is to travel to a vacation spot, but a more unnerving sense of dislocation comes when one is a party to a faltering marriage. Katie Kitamura explores this theme in her new novel, A Separation, a quietly devastating story of a childless, London-based couple on the verge of divorce.

    The unnamed narrator works as a translator, though we never learn her country of origin. When the novel begins, Christopher, the narrator's husband, has been in Greece for a month to conduct research for a book, a general-interest "study of mourning rituals around the world"—an odd topic, the narrator thinks, for a "careless flirt" in his early 40s who has never suffered loss. When Christopher's mother can't reach him in Greece, she worries that something is wrong. Unaware of the couple's six-month separation, she buys the narrator a ticket to go and investigate. What follows is a psychologically rich story involving a female hotel clerk, a "widely admired weeper" known for her musical lamentations and a murder.

    Kitamura finds a clever parallel between the art of translation and marriage: the struggle to be faithful, which, as the narrator states, is "an impossible task because there are multiple and contradictory ways" of achieving fidelity. As this coolly elegant work makes clear, the definition of fealty may vary depending on whom you ask.

     

    This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

    Copyright 2017 BookPage Reviews.
  • Kirkus Reviews : Kirkus Reviews 2016 December #1
    Dread and lassitude twist into a spare and stunning portrait of a marital estrangement.At the end of this unsettling psychological novel, the narrator suggests that "perhaps wife and husband and marriage itself are only words that conceal much more unstable realities, more turbulent than can be contained in a handful of syllables, or any amount of writing." Kitamura's third work of fiction builds into a hypnotic meditation on infidelity and the unknowability of one's spouse. In precise and muted prose, the entire story unspools in the coolly observant mind of a young woman, a translator. She is estranged from Christopher Wallace, her "handsome and wealthy" husband of five years. He is a relentless adulterer; the narrator herself is now living with another man. The novel begins with a phone call from Isabella, a hostile and unpleasant mother-in-law, petulant that she can't reach her only son and ignorant of the separation. Christopher has decamped to rural Greece, and Isabella insists her daughter-in-law leave England to go after him. Thinking it time to ask for a divorce, she agrees. In the remote fishing village of Gerolimenas, there are grim portents: stray dogs, high unemployment, a landscape charred from a season of wildfires, and the hostility of a hotel receptionist who appears to have slept with Christopher. Each of 13 taut chapters turns the screw; at the beginning of the seventh there is a murder. Kitamura leaves it unsolved. Instead of delivering a whodunit, the author plucks a bouquet of unforeseen but psychologically piercing consequences. The narrator thinks, "One of the problems of happiness—and I'd been very happy, when Christopher and I were first engaged—is that it makes you both smug and unimaginative." As this harrowing story ends, her life is diminished and her imagination is cruelly awake. A minutely observed novel of infidelity unsettles its characters and readers. Copyright Kirkus 2016 Kirkus/BPI Communications. All rights reserved.
  • Library Journal Reviews : LJ Reviews 2016 September #2
    Kitamura, whose Gone to the Forest and The Longshot were finalists for the New York Public Library's Young Lions Fiction Award, turns in a mindbender about a woman whose husband vanishes in the Peloponnese shortly after they separate.. Copyright 2016 Library Journal.
  • Library Journal Reviews : LJ Reviews 2016 December #1
    Although separated from philandering husband Christopher for six months, a London woman agrees to continue to postpone "the process…of telling people." Almost a month has passed since she last talked to Christopher, rendering her unable to answer his mother Isabella's unexpected request for his whereabouts. She travels to Greece at Isabella's insistence, arriving at the hotel where her errant spouse has a room, only to learn he's traveling. Her wait for his return amid strangers who have known him more recently, more intimately, has shocking results. Between an anniversary-celebrating couple flaunting their passion to an elderly woman who is a rare professional funereal "weeper," the woman confronts the disintegration of love: "perhaps wife and husband and marriage itself are only words that conceal much more unstable realities, more turbulent than can be contained in a handful of syllables, or any amount of writing." VERDICT Like her two previous novels (The Longshot, Gone to the Forest), Kitamura's latest is another tautly austere, intensely internal narrative, both adroitly lyrical and jarring. For readers seeking profound examinations of challenging relationships—think Pamela Erens's Eleven Hours, Jung Yun's Shelter, Ha Jin's Waiting —Kitamura's oeuvre will be a compelling discovery. [See Prepub Alert, 8/8/16.]—Terry Hong, Smithsonian BookDragon, Washington, DC. Copyright 2016 Library Journal.
  • Publishers Weekly Reviews : PW Reviews 2016 November #2
    The unnamed narrator of Kitamura's third novel has been separated from her husband, Christopher, for six months when she travels from London to southern Greece to find him, prompted into action by Christopher's mother, who is unaware of the separation and worried because her son isn't returning phone calls. The narrator describes Athens traffic and the Peloponnesian coast, but it is her internal landscape—her imaginings, suspicions, speculations, thoughts, and feelings—that dominates the narrative. Habitually unfaithful Christopher has left his wife in the dark regarding much of his private life. She means to ask for a divorce, and then wavers. When she arrives at the hotel where he is registered, she delays calling his room. When Christopher fails to appear by checkout time, she takes no part in clearing out his things. When a pretty hotel receptionist turns out to be one of Christopher's lovers, the narrator buys her dinner. The narrator's deepest feeling comes not from learning the reason for Christopher's disappearance but from listening to a professional mourner's lament. Research into this mourning ritual had been Christopher's excuse for visiting Greece, although even his mother understood he also anticipated extra-marital indulgences. Kitamura suggests but never specifies the extent of these indulgences; likewise she leaves plot issues unresolved. Instead, she focuses on capturing a disarray of contradictory emotions, delineating the line between white lies and betrayal, legal and personal relationships, the impulse to hold on and the need to let go. Despite the mysterious premise, readers may find that the narrator's frequent contemplation frustratingly stalls the novel. (Feb.) Copyright 2016 Publisher Weekly.
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