In the No. 1 New York Times best-selling Chamberlain's The Last House on the Street, Kayla Carter is mourning the husband who died building their dream house in a North Carolina community as warnings from not one but two older women not to move into the house eventually lead to a story of prejudice and violence that rocked the community a half-century earlier (150,000-copy first printing). A librarian like her creator, debut novelist Jurczyk, Liesl Weiss is shocked to discover that a valuable manuscript has gone missing from The Department of Rare Books and Special Collections but is told not to raise a ruckus—but she starts investigating when a colleague goes missing as well. Getting readied for television by the BBC, May's debut novel, Wahala ("trouble"), features three British Nigerian women whose close friendship is blown to bits when a glamorous and ultimately venomous outsider insinuates herself into the group. In No. 1 New York Times best-selling Mitchard's The Good Son, Thea Demetriou must find a way to support her son emotionally when he returns home from prison after having committed a heinous crime. Patterson and Lupica join forces with The Horsewoman, the story of a mother and daughter who are both champion riders—and are up against each other in competitons leading to the Paris Olympics. In Shalvis's series starter, The Family You Make, Jane is dangerously stranded on a ski lift with Levi Cutler, who impulsively tells his parents by cellphone that she is his girlfriend—a charade she agrees to keep up when she finds herself falling for him and his warm, embracing family. Sorell follows up her well-rendered small-press debut, Mothers and Other Strangers, with Three Wise Women: an officious advice columnist and her two troubled adult daughters. In Steel's latest, a young woman who survived a neglectful childhood by hunkering down can remain Invisible no longer when her dream of becoming a film director unexpectedly puts her in front of the camera. Revisiting Perdita Street, the setting of Wiggs's beloved The Lost and Found Bookstore,Sugar and Salt makes love bloom between San Francisco baker Jerome "Sugar" Barnes and barbecue master Molly Salton, trying to forget an unhappy past in Texas.

DEBUT May seamlessly weaves love, betrayal, self-reflection, and Nigerian food, clothing, and customs into this fast-paced debut. The Naija Posse is the nickname of three Anglo Nigerian best friends who live in London; all three are children of mixed-race marriages that were taboo in the 1970s. Single Ronke is a dentist and talented cook, specializing in Nigerian cuisine—jollof, moin-moin, pounded yam—but she yearns to have her own family. Simi is a successful businesswoman who's almost sure she doesn't want a baby, although her husband does. Boo is a wife and the mother to four-year-old Sophia, but she longs to get back to her career. When Simi's childhood friend Isobel, a wealthy Anglo Nigerian "glamazon," inserts herself into the group, each woman soon becomes disillusioned with her life. Isobel is wahala—trouble. Under the guise of friendship, she manipulates the women to reconsider their identities and take risky chances that lead to heartache. Then Isobel has a shocking revelation that will either strengthen the Naija Posse's bond or tear it apart. VERDICT Fans of domestic suspense will revel in this tale of friendship, family, and forgiveness, set in the cultural milieu of Lagos.—K.L. Romo, Duncanville, TX

In May's breezy if overdramatic debut, the mutual friendship of three Anglo-Nigerian women is threatened by an interloper, a Russian Nigerian on a revenge trip. Isobel Adams holds a particular grudge against each of the successful and ambitious women who have been best friends for 17 years. There's Boo, one of the numerous children Isobel's father had with multiple women; Ronke Tinubu, the daughter of the man who had an affair with Isobel's mother, and who now dates the man Isobel wants; and Simi, Isobel's friend since they were five years old, who describes Isobel in a conversation with the others as "embarrassingly rich," and whose father has been in a longtime feud with Isobel's. May's characters, despite all their accomplishments and intelligence—Ronke is a dentist, Boo has a PhD in bioinformatics, and Simi works as a brand executive for a fashion house—are easily taken in by Isobel, due to Isobel's willingness to help open doors for them. After Isobel manipulates her way into the trio's lives, someone in their orbit winds up violently killed. While some of Isobel's destructive behavior is outlandishly implausible, May's nuanced exploration of race and gender makes this refreshing. This will leave readers intrigued to see what May does next. (Jan.)